The Second Annual More-or-Less Live Oscar Coverage — Updated with a Little Post-Mortem Snark

Just like last year, I’m setting this up so I can comment throughout the evening on the trainwreck (in my book) that is the year’s Oscars. Feel free to comment throughout, but remember, if you’re going to swear, let me know so I can clear your post.

Is anyone here really involved in this year’s competition? I confess I really have very little interest in most of the outcomes — and in fact (as I mentioned Friday afternoon on Jeff Messer’s radio show), I’m really rooting for things not to win in most cases. We shall see…

 

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And indeed we did see — over a very long evening that offered some surprises, but not enough and not all of them were pleasant. I suppose I should feel all validated since I pegged Spotlight as probable Best Picture the morning we had the press screening. I think it was he best choice out of the nominated movies, but I much preferred Youth, The Hateful Eight, Clouds of Sils Maria, and Trumbo, but none of those were up. I’m still not sold on the idea that the Best Picture wasn’t also the best directed. It’s not like Spotlight made itself. Surely, Academy voters know that, but, hey they voted that awful song from SPECTRE as the year’s best…and don’t get me started on Room even being nominated for anything.

 

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I’m sorry to see that the ratings were once again lower. Mostly, I’m sorry because they’ll blame Chris Rock, who is not, I think, the problem. In fact, I think Rock is the best thing to happen to the Oscars. The problem lies in a jaded moviegoing public that thinks it knows too much and is drowning in a sea of online information. By the time the Oscars get here, we’ve had a constant flow of awards for two months — Golden Globes, SAG, WGA, PGA, DGA, critics groups, individual critic lists, and, of course, the shadowy National Board of Review (nobody knows who these people are; I’m not convinced they exist). At one time, most of this didn’t matter. It was buried in the backs of newspapers. Now, if you are paying any attention at all, it’s shoved in your face. By the time the Oscars drag-ass in, the interest is gone. Most everyone is awarded out. I think the only real hope for them is to hold them between Christmas and New Years and avoid the crush. Maybe even earlier would be better.

 

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Any other suggestions would involve changing the way moviegoers approach popular culture — turn the snark down, dial back the cynicism and realize that we only think we’re industry insiders, who have to keep track of absolutely every jot and tittle, obsess over box office returns (which really don’t impact most of us in any significant way), etc. How likely is that? Probably about as likely as me owning a Chuck Norris movie.

 

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In the end, this was just an Oscar year like any other. They got some things right. They got some things wrong. Nothing here was anywhere near as embarrassing as voting Crash or Around the World in 80 Days or The Greatest Show on Earth for Best Picture. And at the end of the day…it’s a passing amusement of doubtful lasting value. The history of the movies isn’t written in Oscars. It’s written in much broader range than that encompasses — and thank goodness. If I was stuck with only Oscar winning movies, I’d quickly find a new interest.

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421 thoughts on “The Second Annual More-or-Less Live Oscar Coverage — Updated with a Little Post-Mortem Snark”

  1. Trunky, Dane, Gatty,. Smitty, Leech. Names in Thank Yous that sound like either a punk band’s members or rejected Little Rascals.

    Also, were hairstyles that important to Elephant Man? And Ken should like the merkin joke.

  2. Not sure what to make of those trivia pop-ups for presenters. Useful sometimes in keeping track of nominations. Otherwise, we get “Chris Evans played two different superheroes.”

  3. Hey, thanks to everyone who participated or even just followed. We beat last year’s comments by nearly 150. And that’s with Xanadont mostly absent and Scott showing up late.

  4. Just chiming in after the fact… live’s not necessarily my speed. I was also disgusted by Sam Smith’s win. That song is among the lowest of the bond songs IMHO and didn’t even deserve the nod. All of them that I had heard at all (haven’t managed to see Youth yet, sorry to let you down Ken) were none too good. Rough year for original song. Wish it had gone to the song from Hunting Ground for socio-political reasons. That, to me was the biggest WTF moment of the night, although there were several.
    Was thrilled to see Ali G make an appearance. I had been enthusiastically quoting him earlier in the day.
    Loved seeing Mad Max soak up the design/editing type awards. I got the most thrilling experience out of that movie and the look, feel, sound of it was unbeatable.
    Very pleased with Morricone’s win he has long deserved it.
    Also, it has been a long time since I was so impressed with Chris Rock. Louis C.K. was on point as ever.
    And way to go Rylance. I, unlike most of you it seems, really enjoyed Bridge of Spies, and I thought Rylance was the best part of it.

  5. I thought it was a great show. If Rock hosted it every year I’d be happy with that. The only thing I thought was awful was the set, pretty ugly.
    Its cool that Inaritu has has been given best director twice in a row.

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