The show was probably played as contemporary from its 1965 Broadway premiere through at least the early 1990s, but it’s become a bit of a relic of its era, with its casual approach to what can be considered somewhat toxic masculinity today.
Music booker Jeff Whitworth says that he often hears positive comments. “People will tell me, ‘Thank you for hosting metal shows at The Grey Eagle,’ or, ‘I’m glad somebody’s booking real hip hop shows.’”
