Cranky Hanke’s Screening Room: The Continually Surprising Audience

What do Night of the Hunter (1955), Carrie (1976), City Lights (1931), The Hours (2002), Shanghai Express (1932), and The Old Dark House (1932) have in common? Well, nothing really—except that at recent Asheville Film Society and Thursday Horror Picture Show screenings, I spent all but one of those titles standing up. Why? Because there weren’t any seats or even supplementary chairs left and I’m too old to sit on the floor. The only one where I got a seat—The Old Dark House—was a very near thing. I’m not complaining, mind you, but I am on the perplexed side.

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