Cranky Hanke’s Weekly Reeler Nov. 11-17: The end of the world and a film festival

There are only two mainstream releases this week: the inevitable 2012 cash-in, 2012, and Pirate Radio. The former is from big-budget schlockmeister Roland Emmerich, who gave us such incredibly silly trash as The Day After Tomorrow (2004) and 10,000 B.C. (2008). That should tell you as much as you need to know about 2012—possibly more than you need to know.

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